| 1979 | Transplus
for flute, viola and violoncello. Music for the short film of the same name by Alfred Olbrisch - approx. 10'
Premiere: November 26, 1979; Berlin, University of the Arts/HdK (Wendy Castine, Regine Pfleiderer Kimstatt, Rolf Petrich)
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| 1980 | Horus
5 pictures for piano - approx. 7’(I = 1’30’’; II = 1’; III = 2’; IV = 1’45’'; V = 2’)
Premiere: July 25, 1984; Berlin, iaps 8 (Holger Groschopp)
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| 1981 | Divertimento
for five woodwinds - approx. 11’
Premiere: October 17, 1982; Stuttgart, 9. Stuttgarter Musikalische Begegnung (Gerhild Homt and the Stuttgart Wind Quintet)
Dance
for tape (original title: Tango) - approx. 5’
Premiere: June 4, 1982; Bourges, Festival international des musiques experimentales
Musik für Orchester
1. Gesang der Streicher; 2. Szenischer Tanz – 13’
Premiere: July 9, 1982; Hilchenbach (Siegerland Orchestra; conductor: Hirofumi Misawa)
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| 1982 | Visionen
for 2 violins, 2 violas, 2 violoncellos - approx. 7’
Premiere: April 30, 1983; Berlin, Studio Neue Musik (Tomas Tomaszewski, Kiichiro Mamine, Claude Lelong, Bernhard Herting, Matthias Kirchner, Wolfgang Gröger)
Ambiente
for flute, clarinet, trumpet, percussion, piano, viola and violoncello - approx. 8’
Premiere: January 25, 1983; Athens, Goethe Institute (Greek musical workshop; conductor: Theodor Antoniou)
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| 1983 | Polarisation
for large orchestra (extended version of Musik für Orchester) – 19’
(Lento = 4’30’’; Largo = 7’; Presto = 3’; Con moto = 4’30’’)
not premiered
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| 1984 | Epigenese
for flute, saxophone, trumpet, violoncello, percussion and piano - approx. 11’
Premiere: June 24, 1984; Berlin, University of the Arts/HdK (Christiane Hellmann, Detlef Bensmann, Eckhard Kierski, Marco Vitali, Yukio Shimizu, Keiko Mizutanie; conductor: Barbara Kaiser)
Trias
for violin, clarinet, saxophone and piano - approx. 21’
Premiere: 7.3.1985; March 7, 1985; Berlin, Akademie der Künste (Eckehard Lorenzen, Rüdiger Mix, Detlef Bensmann, Holger Groschopp)
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| 1985 | Wandlungen
for flute, oboe, clarinet, violin, viola, cello, double bass, percussion and piano - approx. 14’
Premiere: October 21, 1985; Berlin, Studio Neue Musik („das neue werk“; conductor: Dieter Cichewiecz)
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| 1986 | Toccata I
for clarinet - approx. 11’
Premiere: September 20, 1986; Berlin, Heilig-Kreuz-Kirche (Hans Hartmann)
Drei Phantasus-Gesänge
for soprano, flute, 2 clarinets, trumpet, trombone, violin, cello and percussion - approx. 21’
(I = 7’; II = 9’; III = 5’)
based on texts by Arno Holz
(Concert version of the 3rd, 6th and 11th image from the music theater Der gebrochene Spiegel)
Premiere: April 16, 1988; Berlin, Sender Freies Berlin (Regina Schudel, Ensemble Forum Neue Musik; conductor: Barbara Kaiser)
Publisher: Schott, Mainz (Astoria Verlag)
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| 1988 | …hu ha…
concert for saxophone and 24 players - approx. 21’
Premiere: March 7, 1988; Oldenburg, Staatstheater (Detlef Bensmann, Oldenburgisches Staatsorchester; conductor: Rainer Baum)
Publisher: Schott, Mainz (Astoria Verlag)
Cadenza
for saxophone – approx. 11’
Premiere: May 10, 1988; Berlin, Lessing-Hochschule (Detlef Bensmann)
Publisher: Schott, Mainz (Astoria Verlag)
su
for flute, oboe, 2 clarinets, saxophone, trumpet, drums, 2 violins, viola and cello - approx. 11’
(Concert version of the 10th picture from the music theater Der gebrochene Spiegel)
Premiere: July 18, 1990; Darmstadt, 35th International Summer Courses for New Music (Ensemble Forum Neue Musik; conductor: Barbara Kaiser)
Publisher: Schott, Mainz (Astoria Verlag)
Millionen Nachtigallen schlagen
for soprano, clarinet, bass clarinet, piano and tape - approx. 12’
based on a text by Theodor Däubler
(Concert version of the 1st picture from the music theater Der gebrochene Spiegel)
Premiere: March 10, 1990; Berlin, Klangwerkstatt (Elizabeth Neimann, Manfred Reuthe, Sven Gnaß, Andreas Schmucker; conductor: Peter Ablinger)
Publisher: Schott, Mainz (Astoria Verlag)
Voz inmensa
for alto, baritone, flute, cor anglais / oboe, trumpet, trombone, violin, double bass and tape - approx. 8’
based on a text by Juan Ramón Jiménez
(Concert version of the 9st picture from the music theater Der gebrochene Spiegel)
not premiered
Publisher: Schott, Mainz (Astoria Verlag)
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| 1989 | Im Anfänglichen läuft keine Spur – wer könnte da suchen
Event for 3 actors, flute, saxophone, trombone, violin, drums and live electronics - approx. 80’
Premiere: May 28, 1989; Berlin, Neue Nationalgalerie (Ziggy Schöning, Gisela Weimann, Hans Peter Hitzel; Frederike Burau, Detlef Bensmann, Gerald Meier, Ulf Werner, Jens Peter Kappert; sound direction: Folkmar Hein, Bernd Schönhaar)
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| 1990 | Der gebrochene Spiegel
Poly-scenic music theater in twelve pictures – approx. 152’
(1st picture = 11'; 2nd picture = 20'; 3rd picture = 7'; 4th picture = 17'; 5th picture = 8'30; 6th picture = 7'; 7th picture = 5'; 8th picture = 20'; 9th picture = 9'; 10th picture = 11'; 11th picture = 9'30; 12th picture = 26')
based on texts by Rafael Alberti, Theodor Däubler, Günter Eich, Arno Holz, Juan Ramón Jiménez and Paul Scheerbart
Premiere: April 24, 1992; Witten, Tage für neue Kammermusik (Leslie Bollinger, Monika Moldenhauer, Klaus Bennecke, Stefan Sevenich, Krassimir Kurtakov; Musikfabrik NRW; conductor: Johannes Kalitzke; director: Peter Werhahn)
Publisher: Schott, Mainz (Astoria Verlag)
3 Stücke für einen Didjeridu-Performer – approx. 12’
If a froggy comes up-a with his satchel in his hand… – 5’
…from somewhere out there… – 4’
…with my tweezers gleamin’ in the moon-lighty night – 3’
Premiere: October 24, 1990; Berlin, Galerie Lebendiges Museum (Ulrich Krieger)
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| 1991 | meson
Environmente for 6 slide projectors, tape and live electronics - approx. 45’
Premiere: June 15, 1991; Wuppertal, Bauhütte Klangzeit (Franz Martin Olbrisch)
…nothing…
for clarinet / double bass clarinet, bassoon / double bassoon, tuba, percussion, piano and violoncello - approx. 14’
not premiered
Differenzen („Fragmente einer Fantasie“)
for English horn, basset horn, bassoon, horn, 2 violins, viola, violoncello and piano - approx. 13’
Premiere: February 14, 1992; Berlin, Philharmonic Orchestra (atacca berlin; conductor: Konstantia Gourzi)
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| 1992 | Viele Menschen suchen den Ochsen, doch Wenige haben ihn je gesehen
Event for 2 actors, slide projectors, violoncello, tuba, piano, drums, tape and live electronics - approx. 83’
Premiere: January 26, 1992; Berlin, Bauhaus-Archiv/Inventionen (Ziggy Schöning, Gisela Weimann; Tilo Krigar, Georg Schwark, Tuyet Pham, Edwin Kaliga; sound direction: Franz Martin Olbrisch)
fare il capriccio
for 5 violins, 4 violoncellos and string section - approx. 11’
Version for 5 violins and 2 violoncellos:
Premiere: November 11, 1995; Berlin, Klangwerkstatt (string group of the Kreuzberg Music School)
documentation
Sound installation - approx. 340’
Installation start: July 12, 1992; Darmstadt, 36th International Summer Courses for New Music (Franz Martin Olbrisch)
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| 1993 | No corras, ve despacio, que adonde tienes que ir es a ti solo!
for flute, oboe, clarinet, violin, viola, cello, double bass, percussion and piano - approx. 22’
Premiere: September 20, 1993; Berlin, Akademie der Künste (ensemble recherche; conductor: Roland Kluttig)
FM o99.5
a radiophonic installation in 83 parts – 2880’
0. Vor der Eröffnung; 1. Prolog- Epilog; 2. Studio; 3. …mit den Lücken die entstehen, wenn Milch gerinnt (I); 4. Kanon a 5 (I); 5. Das Abwesende zum Sprechen bringen;
6. hohl-o-gramm (I) (Montage aus Der gebrochene Spiegel); 7. Kanon a 11 (I); 8. …zwischen ihnen war ein Spalt…; 9. Das Ergebnis…; 10. Fugato; 11. Erinnerungen (I); 12. Redundanz (I);
13. Rondeau (I); 14. Schrödingers Katze; 15. …übriggebliebene Stückchen des Rauschens und wiederum Lücken der Stille; 16. adieu ma joye; 17. Bruchstücke; 18. sono-io-gramm (I);
19. Duett (I) (Montage von Toccata I und Cadenza); 20. Kanon a 7; 21. Arpeggio; 22. Strategie des Scheins; 23. sono-iogramm (II); 24. hohl-o-gramm (II); 25. Saitenwechsel;
26. it just smells funny (I); 27. beat; 28. Rondeau (II); 29. it just smells funny (II); 30. Kanon a 3 (I); 31. Rondeau (III); 32. Bimmelfunk; 33. Kanon a 5 (II); 34. Schichtwechsel;
35. Begegnungen des John Scott Russell; 36. sono-io-gramm (III); 37. Duett (II) (Montage von Toccata I und Cadenza); 38. 94 MB (I); 39. Bicinium; 40. 197 Augenblicke aus dem Leben der Schleimpilze;
41. Mustermesse; 42. Trias (I) (gekürzte Fassung); 43. Erinnerungen (II); 44. Kanon a 5 (III); 45. old man’s talk (Teil 1); 46. old man’s talk (Teil 2); 47. Kanon a 3 (II);
48. …eine staubartige Punktmenge; 49. „…wer könnte da suchen“ (I); 50. Kanon a 3 (III); 51. Phasenstarre; 52. ¿Donauquelle! (I); 53. Kanon a 3 (IV); 54. Trias (II) (gekürzte Fassung);
55. Im Labyrinth der Zeiten und Orte; 56. Kanon a 11 (II); 57. taste; 58. Redundanz (II); 59. ¿Donauquelle! (II); 60. Gravitation (I); 61. „…einen Pfad inmitten dichtwuchernden, duftenden Grases“;
62. blow[z]y; 63. Zeitquant (I); 64. Kanon a 11 (III); 65. Aus aktuellem Anlass; 66. Turbulenzen; 67. „Klassik zum Frühstück“; 68. Bicinium; 69. Zeitquant (II); 70. Scherzo;
71. Gravitation (II); 72. su; 73. Kanon a 5 (IV); 74. Studio; 75. „…“; 76. Kanon a 5/7; 77. Motette; 78. …mit den Lücken die entstehen, wenn Milch gerinnt (II); 79. „…wer könnte da suchen“ (II);
80. virtu[ell]os; 81. 94 MB (II); 82. Bicinium; 83. …mit den Lücken die entstehen, wenn Milch gerinnt (III)
Premiere: October 15th to 17th 1993; Donaueschinger Musiktage (technical realization: SWF Baden-Baden)
Renga
Group composition for 21 interactive loudspeaker paths - approx. 40’
Premiere: July 3, 1994; Berlin, University of the Arts / HdK (Gerhard Behles, Jens-Uwe Dyffort, Folkmar Hein, Wassily Kokkas, Franz Martin Olbrisch, Kirsten Reese, Dimitrios Talarougas, Annette Rheinfürth)
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| 1994 | Streichtrio
for violin, viola and violoncello - approx. 11’
Premiere: May 5, 1996; Freiburg, Museum für Neue Kunst (trio recherche)
Drei Sätze für Klaviertrio for violin, violoncello and piano - approx. 4’
Premiere: December 6, 1994, Unerhörte Musik (members of the modern art sextet)
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| 1995 | Nun braucht er nicht mehr dem Brüllen zu folgen
for voice, bandoneon, 3 percussionists, violin, piano and tape - approx. 15’
Premiere: June 13, 1995; Berlin, Ballhaus Naunynstraße (Ensemble Zwischentöne; conductor: Peter Ablinger)
Zellophonie
Music to a performance for percussion, violin, violoncello and tape - approx. 24’
Premiere: October 1, 1995; Norderstedt, Schleswig-Holsteinische Kulturtage in (Gisela Weimann, Rainer Sachtleben, Thilo Krigar; sound direction: Franz Martin Olbrisch)
senza fine
Group composition for 16 loudspeaker constellations - approx. 64’
Premiere: November 10, 1995; Berlin, Klangwerkstatt (electronic studio of the TU Berlin)
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| 1996 | flöte, sounds & live-electronics
for flute, tape and live electronics - approx. 12’
Premiere: May 12, 1996; Berlin, Podewil (Dietmar Wiesner; Ensemble Modern; sound direction: Franz Martin Olbrisch)
2nd version:
first performance of the 2nd version: November 19, 1998; Barcelona, 5è festival de músiques contemporànies de (Bettina Junge; Ensemble Mosaik)
3rd version:
first performance of the 3rd version: August 15, 2004; Darmstadt, International Summer Courses for New Music (Carin Levine; sound direction: Franz Martin Olbrisch)
final version:
first performance of the final version: January 27, 2011; Dresden, Hochschule für Musik (Darja Baumgärtel; sound direction: Martin Baumgärtel)
studi & speaker music for Acousmonium - approx. 12’
Premiere: June 3, 1996; Berlin, Parochialkirche - Inventionen Festival (INA·GRM; sound direction: Franz Martin Olbrisch)
Akustisches Wegeleitsystem
sound installation - loop duration: 67’
Installation start: May 30, 1996; Berlin, Parochialkirche - Singuhr in Parochial
…and some tapes runs on in silence
for 8 acousmatic loudspeaker groups (assembly from FM o99.5) - approx. 33’
Premiere: October 6, 1996; Berlin, Parochialkirche (Franz Martin Olbrisch)
Virelai
for 8 acousmatic loudspeaker groups (assembly from FM o99.5) - approx. 32’
Premiere: October 6, 1996; Berlin, Parochialkirche (Franz Martin Olbrisch)
¡garrulas aguas!
for 8 acousmatic loudspeaker groups - approx. 16’
Premiere: October 5, 1996; Parochialkirche Berlin (Franz Martin Olbrisch)
some people like cupcakes only
for 6 acousmatic loudspeaker groups (assembly from FM o99.5) - approx. 31’
Premiere: October 5, 1996; Berlin, Parochialkirche (Franz Martin Olbrisch)
velvet noise
for 8 acousmatic loudspeaker groups (assembly from FM o99.5) - approx. 62’
Premiere: October 5, 1996; Berlin, Parochialkirche (Franz Martin Olbrisch)
Interferenzen
for 8 acousmatic loudspeaker groups - approx. 48’
Premiere: December 1, 1996; Grenzach, Merkel Gallery (Franz Martin Olbrisch)
diskontinuum
fixed media (CD), assembly from FM o99.5 - approx. 26’
published on: FM o99.5, © 1998 WERGO (WER 2054-2) edition zkm
31 wohlgeordnete Episoden zu Ehren des ungläubigen Thomas
Group composition for flute, bassoon, horn, tuba, harp, 2 violins, viola, violoncello and tape - approx. 65’
Premiere: November 8, 1996; Berlin, Klangwerkstatt (Kirsten Reese, Katja Prutz, Erhard Schwarz, Nils Frederking,
Annette Klein, Viktor Meister, Bert Greiner, Katharina Lobeck, Elisabeth Böhm-Christl; sound direction: Jens-Uwe Dyffort, Franz Martin Olbrisch)
Von der Willkür der Beobachtung („7 musikalische Aspekte“)
for 3 speaking voices, small orchestra and tape - approx. 60’
(I = ca 6’; II = ca 5’; III = ca 15’; IV = ca 10’; V = ca 13’; VI = ca 4’; VII = ca 8’)
Radio production SR Radiotop
Original broadcast: December 3rd, 1996
concert version (reduced):
first performance of this version: November 8, 1997; Berlin, Klangwerkstatt (Ellen Fricke, Christian Kesten, Frauke Eller,
Katharina Lobeck, Silke Klagen, Esther Wohlgemuth, Matthias Bauer, Kirsten Reese, Qishi Yu,
Elisabeth Böhm-Christl, Enno Poppe; conductor: Jobst Liebrecht; sound direction: Franz Martin Olbrisch)
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| 1997 | Tagtraum der Eule
Sound environment - loop duration approx. 57’
1. Callin’ on the dogs; 2. Abendsegler; 3. Durch mein Gartentor kommt ganz unerwartet ein Frosch hereinspaziert; 4. Sommersonnenfäden; 5. getäuscht hat sich die Taube; 6. und sie werden bleiben und singen; 7. Froschkönig; 8. neulich in der alten Linde; 9. Tagtraum der Eule; 10. und dann – dunkel wie zuvor; 11. erstes Wildschwein; 12. grüne Lichter; 13. alter Teich in Ruh; 14. Achtwegewinkel; 15. Mittagssonnenglast; 16. Katzenschlaf; 17. zweites Wildschwein
Installation start: summer 1997; Hundisburg Castle
différance
Sound and light environment - approx. 33’
Premiere: August 16, 1997; Hundisburg Castle
Aus dem Labyrinth der Zeiten und Orte
Radiophonic audio piece (assembly from Von der Willkür der Beobachtung und FM o99.5) – 46’
Radio production SFB RadioKultur
Original broadcast: November 11, 1997
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| 1998 | Face the Nation
for obligatory piano and speaking voice ad libitum - approx. 11’
Premiere: May 16, 1998; Münster, Westphalian Music Festival (Stefan Litwin, Yaron Windmüller)
Nachtstück
for speaking voice and string quartet based on a text by Octavio Paz - approx. 15’
Premiere: May 16, 1998; Münster, Westphalian Music Festival (Richard Salter, Rubin Quartett)
Frühlingsgefühle Fünf Marginalien
for voice and piano based on poems by Bert Papenfuß - approx. 11’
Premiere: May 10, 1998; Ludwigslust, Stimmen im Frühling (Michael Hirsch, Axel Bauni)
Auf den Wellen eines Meeres von Beziehungen
for audience, tuba and tape - approx. 21’
Premiere: September 22, 1998;; Berlin, Unerhörte Musik (Michael Vogt; sound direction: Franz Martin Olbrisch)
études aux roulements
for percussion, piano and 16 loudspeaker groups - approx. 50’
Group composition with Enno Poppe and Arnulf Herrmann
Premiere: September 23, 1998; Berlin, Sender Freies Berlin/Inventionen (Thierry Miroglio, Ernst Surberg; sound direction: Franz Martin Olbrisch)
Blanco
for flute, oboe, clarinet, violin, viola, cello, percussion and piano - approx. 22’
Premiere: September 23, 1998; Stuttgart, Eclat (ensemble recherche; conductor: Peter Hirsch)
3 Sätze aus Blanco
for string trio
1. seele zwischen den empfindungen
Premiere: May 29, 2003; Berlin, Institute for New Music at the University of the Arts / UdK (Ensemble Mosaik)
2. der fluss der körper… …ein fluss von sonnen
Premiere: May 29, 2003; Berlin, Institute for New Music at the University of the Arts / UdK (Ensemble Mosaik)
3. snap-shot von einem pulsschlag der zeit
5 Sätze aus Blanco
for wind trio
1. ohne name ohne rede
Premiere: May 29, 2003; Berlin, Institute for New Music at the University of the Arts / UdK (Ensemble Mosaik)
2. schon verkohltes licht über ein gefäß voll schatten
3. …das namenlose Komplott der Gebeine
Premiere: May 29, 2003; Berlin, Institute for New Music at the University of the Arts / UdK (Ensemble Mosaik)
4. Es brüllen die angeketteten Bäume
5. Meine Schritte entschwinden in einen Raum, der sich auflöst…
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| 1999 | Ein Quadratmeter Schwärze
for string quartet - approx. 21’
Premiere: April 23, 1999; Witten, Tage für neue Kammermusik (Rubin Quartett)
Dissimilation
Music environment for speaking voice and 16 loudspeakers - approx. 50’
Premiere: April 23, 1999; Witten, Tage für neue Kammermusik (Rainer Homann)
in nomine
for flute, oboe, clarinet, violin, viola, cello, percussion and piano - approx. 3’
Premiere: April 24, 1999; Witten, Tage für neue Kammermusik (ensemble recherche)
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| 2000 | Streunende Zahlen
for flute, oboe, clarinet, saxophone, trombone, violin, viola, cello, double bass, percussion and piano - approx. 22’
Premiere: June 19, 2000; Hanover, cultural program of the German Pavilion EXPO 2000 (Ensemble UnitedBerlin; conductor: Peter Hirsch)
Liebeskuss
Sound installation - loop duration 33’
Installation start: July 14, 2000; Hundisburg Castle
Durch die tiefen Wege des Sommers
Sound installation - loop duration 43’
Installation start: July 14, 2000; Hundisburg Castle
Twilight zone
Sound installation - loop duration 48’
Installation start: July 14, 2000; Hundisburg Castle
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| 2001 | el mundo haz de tus imágenes
for speaking voice, clarinet, saxophone, trumpet, two violins, viola, violoncello, double bass, two percussionists and tape - approx. 47’
Premiere: March 18, 2001; Berlin, Music Biennale (Rainer Homann, Xsemble München; conductor: Alain Franco)
mit reichlich F & G
for oboe, violoncello and piano - approx. 1’
Premiere: April 28, 2001; Berlin, University of the Arts / HdK
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| 2002 | I got involved in something I realize…
Sound environment
Group composition with students from the TU Berlin (sound: Gerrit Haasler, Marian Mentrup, Joerg Wankmueller,
Sven-Amin Lembke, Ben Lauber, Michael Hampel, Hanns Holger Rutz, Franz Martin Olbrisch; visual design: Yaeko Osono,
Roswitha Baumeister, Yueyang Wang)
Installation start: June 27, 2002; Berlin, Inventionen Festival (former State Bank of the GDR)
pick⁄up
fixed media – 11’
Original broadcast: July 31, 2002; WDR Cologne
first performance of the eight-channel version: January 21, 2003; Berlin, Ultraschall
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| 2003 | 3 Sätze aus Blanco
for saxophone, percussion and piano
1. leidenschaft der mitleidenden glut
2. delta von armen der begierde
Premiere: May 29, 2003; Berlin, Institute for New Music at the University of the Arts / UdK (Ensemble Mosaik)
3. Die welt bündel deiner bilder
city drives
Music video - 7’
Premiere: March 16, 2006; Basel, VIPER Festival
Van Ness
fixed media – 1’30’’
Premiere: November 15, 2003; Berlin, Pyramidale
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| 2004 | personal spaces
Audiovisual environment - loop duration 13’
Installation start: June 20th, 2004; Darmstadt, Kunsthalle
Train
Playing score for an actor and a night train
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| 2005 | Grain
for large orchestra - approx. 25’
Premiere: April 29, 2005; Stuttgart, attacca Geistesgegenwart Musik (Radio-Sinfonieorchester Stuttgart des SWR; conductor: Kasper de Roo)
creek
for flute, violoncello and percussion - 4’
Premiere: December 4, 2005; Berlin, Konzerthaus - Berlin meets Los Angeles in concert (Ensemble EAR-Unit, Los Angeles)
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| 2006 | Cross Creek Road
for trumpet, 2 flutes, e-guitar, e-bass, 2 cellos, 2 percussionists, tape and live electronics - approx. 22’
Premiere: May 11, 2006; Berlin, Akademie der Künste
(trumpet: Herb Robertson; flute: Bettina Junge, Erik Drescher; electric guitar: Augustin Maurs; electric bass:
Kim Clarke; violoncello: Thilo Krigar, Daniel Göritz; perc.: Chris Cutler, Claudia Sgarbi)
Schichtwechsel – temps et mouvement
Concert environment for 12 loudspeakers and 3 video projectors - 35’
(Video: Beate Olbrisch and Franz Martin Olbrisch)
Premiere: August 6, 2006; Darmstadt, Kunsthalle, as part of the 43rd International Darmstadt Summer Course for New Music
final version:
first performance of the final version: October 17, 2008; Donaueschingen, as part of the Donaueschinger Musiktage
Bläserballett
Music for a performance of the same name by Gisela Weimann for clarinet, saxophone, trumpet and trombone - approx. 21’
Premiere: August 27, 2006; Berlin, Karl-Hofer-Gesellschaft (clarinet: Winfried Rager; trumpet: Michael Schlabes;
saxophone: Theo Nabicht; trombone: Daniel Plöger; conductor: Theo Nabicht; directors: Gisela Weimann,
Arndt von Diepenbroick; idea and concept: Gisela Weimann)
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| 2007 | Spah-Lenz
fixed media (CD) – 8''
published on: CrossCut Edition, © 2006 WERGO - 2o Jahre Edition Zeitgenössische Musik
curved ringing
for carillon and tape - 21’
Premiere: August 5, 2007; Berlin, Haus der Kulturen der Welt (Jeffry Bossin)
between walls
Concert installation for 7 loudspeaker groups - loop duration 13’
Installation start: September 7, 2007; Colditz - Die musikalisierte Stadt, Colditz Castle Chapel
Garten der Klänge
Radiophonic audio piece - 52’
Original broadcast: January 12, 2008; WDR Cologne
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| 2008 | Foyer-Sequenz
Performing score for a theater-goer
Augenblicke, in denen die Zeit sich spiegelt
Concert environment for video projections, tape and live musicians
Premiere: April 26, 2008; Witten, Märkisches Museum, as part of the Witten Days for New Chamber Music
(Anne-Maria Hölscher - Arditti string quartet - Stefanie Penn - Klangforum Wien - Theodoro Anzellotti - Martin Fahlenbock -
Student ensemble of the Freiherr-vom-Stein-Gymnasium) Stimmen, Gassen, Stille wieder, wie zuvor
Sound installation - loop duration 13'
Installation start: September 13, 2008; Rochlitz - Die musikalisierte Stadt
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| 2009 | gleichzeitig - ohne ende
fixed media (5.0) – 65''
Folkmar Hein on his 65th birthday
Premiere: February 18, 2009; Berlin, Pfefferberg
infinito blanco
Sound installation - loop duration 27'
First presentation: March 6, 2009; Frankfurt, gold hall of the HR broadcasting company
coupures de temps...
for flute, clarinet, violin, viola, violoncello and piano - approx. 16’
Premiere: November 19, 2009; Cologne, WDR Funkhaus (Collegium Novum Zürich; conductor: Peter Hirsch)
Version for flute, clarinet, violin, viola, cello and piano and live electronics
first performance of this version: July 19, 2010; Darmstadt, International Summer Courses for New Music
(studio for new music ensemble moscow; conductor: Vladimir Gorlinsky; sound direction: Franz Martin Olbrisch)
Syphon
Sound installation - loop duration 48'
Traveling exhibition: Dresden, Lodz, Rom, Hamburg, Berlin, Eisenach, Hongkong, Salzburg, Wien, Köln, Bad Homburg, Braunschweig, Bukarest...
First presentation: October 2009; Dresden, Festspielhaus Hellerau as part of the TonLagen festival
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| 2010 | craquelé
for large orchestra - approx. 16'
Premiere: Premiere: October 22, 2010; Frankfurt, HR-Sendesaal (hr-Sinfonieorchester; conductor: Sian Edwards)
palinsesto
Sound installation - loop duration 31'
First presentation: November 12-14, 2010; Cologne, WDR Funkhaus as part of the ensembl[:E:]uropa series
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| 2011 | Promitheys in Fukushima
for large orchestra - approx. 17'
Premiere: May 15, 2011; Saarbrücken, Congresshalle (Landes-Jugend-Symphonie-Orchester Saar; conductor: Lothar Mayer)
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| 2012 | fi b
for bass clarinet solo - approx. 1'20
Premiere: June 29, 2012; Berlin, Villa Elisabeth (Theo Nabicht)
am Rande - Hessenwinkel
radiophonic audio piece - 41'
Original broadcast: December 29, 2012; hr2 Frankfurt
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| 2013 | Ringing
for carillon solo - approx. 35'
Premiere: September 21, 2014; Berlin-Tiergarten, CARILLONCONCERTSBERLIN (Jeffry Bossin)
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| 2014 | rods and strings
Concert environment for video projections, tape and live musicians - 21'
Premiere: August 14, 2014; Darmstadt, 47th International Summer Courses for New Music
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| 2015 | Dennoch lauert im Gesang der Vögel das Schreckliche
Sound installation
Premiere: April 24-26, 2015; Witten (Klangwanderung im Muttental), as part of the Witten days for new chamber music
fluido
fixed media (CD) – 8'
published on: 8 Gefühle. a tribute to Helmut Lachenmann
© 2015 by Ensemble Modern Medien
couler...
for clarinet and live electronics - approx. 9'
Premiere: November 13, 2015; Toulouse, ByPass (Christian Wettin)
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| 2016 | ...stesso...
for clarinet, violoncello and piano - approx. 13'
Premiere: December 1, 2016; Dresden, Blaue Fabrik, KlamgNetz Dresden (trios sostenuto)
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| 2017 | 106-zerkratzt, verbogen
fixed media (Vinyl) – 4'
published on:
rewrite 114
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, 2 percussionists, electric guitar,
piano, 2 violins, viola, cello, double bass and live electronics - approx. 15'
Premiere: June 20, 2017; Wrocław, Nasz Festival (Sound Factory Orchestra, conductor: Robert Kurdybacha)
Farben des Lichts im Hafen Ch'ungmu
Radiophonic audio piece - 39’
Original broadcast: November 11, 2017; hr2 Frankfurt
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| 2018 | ...Europe – the spectre...
Radiophonic audio piece - 7’
Original broadcast: 2018; hr2 Frankfurt
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| 2019 | Elf Episoden
for flute, keyboard instruments and live electronics - approx. 16'
Preview: May 23, 2019; Chemnitz, Sächsisches Mozartfest (Elizaveta Birjukova, Christoph Ritter & Franz Martin Olbrisch)
Premiere: August 23, 2019; Weimar, Art Festival - Bauhaus Concerts (Elizaveta Birjukova, Christoph Ritter & Franz Martin Olbrisch)
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| 2020 | ...suggests that something may be
for 2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 trumpets, 3 trombones, 2 tubas,
2 percussionists, piano, 3 violins, 2 violas, 2 cellos, double bass and live electronics - approx. 13'
Premiere: July 5, 2021; Dresden, Deutsches Hygiene Museum (Sinfonietta Dresden, conductor: Bruno Ferrandis)
...cité...
Radiophonic audio piece - 33’
Original broadcast: November 14, 2020; hr2 Frankfurt
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